The entrances to the pit and gallery are both obtained in a back lane, a very excellent arrangement, as all " lining-up " in advance of the opening of the theatre doors occurs in a long lane or passage-way which is private to the theatre, and so causes no obstruction to the general traffic along the street. The doors are not side by side, and so separate queues can be formed to each. The stairs to the pit lead downwards and wind considerably, but like all others they are in straight flights of not less than three nor more than thirteen steps, in accordance with the London regulations. An emergency exit from the pit is brought up to the front close to the entrance to the box office. The gallery entrance in the back lane is up stairs which wind
above those going down to the pit, and it is of some interest to trace them along the various plans, showing how eventually they reach the back of the gallery almost in the centre at the very top of the house, while an emergency exit is contrived at the stage end of the auditorium near the front, by stairs which pass down above the royal private room. The auditorium is seated on a slightly rising floor at the pit level, with straight rows of seats, but on all the other levels the seats are arranged in horseshoe form, with private boxes on the straight portions of the horse-
shoe which are nearest the stage. The seating thus permits everybody to see and hear, and a glance at the section will show how the various tiers rise at different angles in order that this may be accomplished, the object being to give everyone a sight of the front of the stage as well as of the back, and if possible of the whole of it from side to side. At the pit level the whole
is one open space, with the exception of a saloon or bar contrived under the main entrance, and of the necessary retiring-rooms. On the other floors the auditorium proper is cut off from the stairs and other adjuncts by means of a segmental wall parallel to the last row of seats on the horseshoe, and separated from it by a passage-way. At the boxes level the space behind this
wall is given up to cloak-rooms and the grand vestibule, out of which there rises a staircase leading to a large room, known as the "grand saloon," which occurs at the upper boxes level, forming a handsome apartment in which suppers can be given if necessary. At that level also there is a small bar to serve the upper boxes, while an almost similar arrangement occurs at the
gallery level.
Of course, there is a great deal of steel work in the construction, as all the upper tiers of seats are carried on girders and columns.
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